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the searchers (band members)

October 25, 2020

The first single, "Sweets for My Sweet", featuring Tony Jackson as main vocalist supported by Pender and Curtis, shot to number one in the UK in 1963, firmly establishing the band as a major spearhead of the "Merseybeat" boom, just behind The Beatles and alongside Gerry and the Pacemakers. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. The group continued to tour through the 1970s, playing both the expected old hits as well as contemporary songs such as a powering extended live version of Neil Young's "Southern Man". McGarry did not stay long and in 1960 his place was taken by Chris Crummey (26 August 1941 – 28 February 2005), who later changed his name to Chris Curtis. Sandon cut out for a career on his own, with another band called the Remo Four in early 1962. He was replaced by Billy Beck, who changed his name to Johnny Sandon. John McNally: rhythm guitar 3. In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album. http://en.wikipedia.org/wiki/The_Searchers_%28band%29, Creative Commons Attribution-ShareAlike License. The Searchers began casting their net wider for material to cover, in addition to coming up with one original hit, the Curtis/Pender-authored "He's Got No Love." for more info seehttp://en.wikipedia.org/wiki/The_Searchers_%28band%29. [7] With a slightly changed track listing, including the song "Needles and Pins", it hit #22 in the US album charts in June 1964.[8]. This list may not reflect recent changes . [5], The band returned to a residency at the Iron Door Club and it was there that they tape-recorded the sessions that led to a Pye Records recording contract with Tony Hatch as producer. When the other two members lost interst McNally was joined by his guitarist neighbour Mike Prendergast. The group continued to tour through the 1970s and were rewarded in 1979 when Sire Records signed the band to a multi-record deal. Chris Curtis: drums, vocals Feb­ru­ary 1962–July 1964 1. They did however revitalize the group's career. Read Full Biography. Chris Curtis: drums, lead vocals Au­gust 1964–A… Their first album, Meet The Searchers, sung mostly by Jackson and Pender, was released in August 1963 and reached number 2 on the British album charts the next month. Tony West: bass 5. In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album but only one single, "I Don't Want To Be The One" backed with "Hollywood", saw the light of day at that time. As late as 1970, Marble Arch issued an edited version of It's the Searchers, the group's third album, originally released in 1964. While the Beatles quickly outdistanced all comers, the Searchers did, indeed, go to the top of the charts with two of their next three singles, "Needles and Pins" and "Don't Throw Your Love Away." Chris Curtis's choice of Bobby Darin's "When I Get Home", despite a strong band performance, was a relative chart failure by their standards. Kennedy soon left to be replaced by Norman McGarry (born 1 March 1942, Liverpool, Lancashire), and it is this line-up – McNally, Pender (as Prendergast soon became known), Jackson and McGarry – that is usually cited as the original foursome. Members of the British pop group The Searchers. [4], Sandon left the band in late 1961[5] to join The Remo Four in February 1962. The Searchers' immediate competitors included bands such as the Wreckers and the Confederates, both led by Michael Pender (guitar, vocals), and the Martinis, led by Tony Jackson (guitar/vocals). Jackson again took lead vocal, though Curtis later agreed to sing the distinctive high-harmony vocal links between verses. Billy Adamson, the band's drummer from 1970 to 1998, died in France on 11 November 2013, aged 69. Like many similar acts they would do as many as three shows at different venues in one night. The band returned to a residence, at the Iron Door Club and it was there that they tape recorded the sessions that led to a recording contract with Pye Records with Tony Hatch as producer. Chris Curtis, who had songwriting ambitions, left the band in April 1966 and was replaced by the Keith Moon-influenced John Blunt (born John David Blunt, 20 March 1947 in Croydon, London). Although Curtis's involvement in the project was short-lived, Roundabout evolved into Deep Purple the following year. The Searchers were an English Merseybeat group who emerged during the British Invasion of the 1960s along with the Beatles, the Hollies, the Fourmost, the Merseybeats, the Swinging Blue Jeans, and Gerry and the Pacemakers.[1][2]. The rest of the tracks would be released as part of 2004's 40th Anniversary collection. Interestingly, their 12-string guitar sound would become a key ingredient in the success of the Byrds, who even took the riff from "Needles and Pins" and transformed it into the main riff of "Feel a Whole Lot Better.". Mike Pender: lead guitar, lead vocals 4. Fabgear, "Tommy Quickly & The Remo Four", Articles about The Searchers by Roy Clough, https://en.wikipedia.org/w/index.php?title=The_Searchers_(band)&oldid=973443052, Articles needing additional references from July 2020, All articles needing additional references, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, John McNally: lead & rhythm guitar, vocals, Mike Pender: lead vocals, lead & rhythm guitar, Mike Pender: lead & rhythm guitar, lead vocals, Spencer James: rhythm guitar, guitar synthesizer, lead vocals, This page was last edited on 17 August 2020, at 07:24. Let us know what you think of the Last.fm website. Mike Pender took the main lead vocal on the next two singles, both of which topped the UK charts: "Needles And Pins" and "Don't Throw Your Love Away", each featuring Chris Curtis on co-lead/high-harmony vocal. Another record, "Sugar and Spice," written by their producer Tony Hatch under the pseudonym Fred Nightingale, stalled at the number two spot. John McNally: rhythm guitar, vocals 3. The first album was quickly revamped following release with a few extra tracks added, one song dropped (a cover of Bob Dylan's "Coming From The Heart"), and a new sleeve, which may have only confused the public.

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